Referring to the ideas of cyberfeminism, particularly Donna Haraway's 1985 essay «A Manifesto for Cyborgs: Science, Technology, and. Socialist Feminism» in the 1980s, I placed some technological objects in the reproduction of an antique bust: wires, microchips, and other electronic elements. Those are meant to represent the image of a cyborg as a technological entity that breaks through the shell of gender stereotypes, destroys them, and brings an opportunity to form a post-gender society.

"Muse" was created as a part of the "Invisibility of freedom" photo zine during Mathilde Ter Heijne Workshop at Tretyakov State Gallery.